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My practice-based research examines theatre through the lens of visual art.
Drawing on my collaboration as a performer-deviser with the company New York City Players, and on principles of sculpture and spatial theory, I pay close attention to the social relationality of the performer/spectator encounter that is created through space.
By establishing a spatial, material understating of the company's work, my PhD enquiry examines how the application of sculptural principles within a theatrical context, dissolve the boundaries between aesthetic practice and social practice.
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